Clark Blaise's background and upbringing have provided him with the materials and the perspective for his highly praised fictional renderings of the quest for identity in a rootless and incoherent North American society. Born in Fargo, North Dakota,...

I refuse to contribute to contemporary Parisian journals. They are too corny, too old-fashioned.... I don't want to be part of the gang. I am not behind, as you say, but ahead.... I have seen a few modern foreign journals. It all belongs...

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How does a Clark Blaise story feel? The tactile emphasis is crucial. Blaise's characters are inseparable from the things they touch—gooey, sticky, dirty, infested things that "ooze" through swamps, broken buildings, jungles. But if we read only for sensation (consider: "his brains are coming out of his mouth") or only for repugnant shock ("the hiss of a million maggots") the rawness metaphor seeps by us. (p. 26) If you ask someone what they think a Cla...

"I am writing a biography of Rachel's life, incorporating your autobiography and a little of my own—and together we might be writing a novel." So wrote Rosie Chang of the Department of English at Berkeley to Richard Durgin, novelist and former husband of the celebrated and deceased poet, Rachel Isaacs. Replying from Faridpur, Rajasthan, in India, Durgin, no longer writing and now operating a cabinetmaking business for diplomats in New Delhi, is intrigued, but not necessarily impr...

[A North American Education, a] collection of Clark Blaise's fiction, is most impressive, if at times not fully satisfying. Both these facts arise from the use Blaise makes of an autobiographical voice, the ability, which is his particular talent, of creating the illusion that the reader is the confidant of an author relating anecdotes of an intimate and revealing nature. This sense that one is dealing with autobiographical fiction is unavoidable; it comes from the feel of the stories, it is insisted...