Himes, Chester (1909-1984)
College dropout, pimp, bootlegger, and convicted armed-robber, Chester Himes began writing his acclaimed "Harlem Cycle" of crime novels in Paris in 1957. His m...
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His reputation rests largely on his detective novels, which in their own right rank with the best noir fiction, but Chester Himes (1909-1984) was hardly a man to be pigeonholed. In his lifetime he pub...
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Chester Himes is one of the curiosities of American literature, a fiercely independent black writer whose many faults have alienated both white and black critics, save for a few who have insisted that...
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Novelist, essayist, short-story writer, and journalist, Chester Himes made his mark as a satirist and as a writer of detective novels. In 1970 John A. Williams maintained that "Himes is perhaps the ...
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Chester Bomar Himes's career extended from the mid 1930s to the mid 1980s, a time of enormous social change and racial turmoil in the United States. His work is remarkable for the honesty, intensity, ...
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In 1957 Chester Himes was so down and out in Paris that he was ready to write almost anything to make a buck--even a detective novel. Himes was at that point a "serious" novelist who had never written...
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In the following interview, originally published in 1983 and translated from French by Fabre, Himes discusses topics such as the influence of his largely expatriate life on his writing, settings and t...
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In the following essay, Muller traces the development of Himes's detective fiction.
Following his three novels tracing the vagaries of interracial sex—The Primitive, Pinktoes, and A C...
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In the following essay, Skinner analyzes two early Himes novels, If He Hollers Let Him Go and Lonely Crusade, comparing them to the works of such Los Angeles writers as James M. Cain and Raymond Chand...
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In the following essay, Storhoff traces “Oedipal” themes in the two volumes of Himes's autobiography, noting that Himes repudiates not only his familial and literary “fathe...
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In the following essay, Cochran points out the ways in which Himes's detective novels show the dark side of American capitalism and a violent, absurd vision of the nation.
In the penultimate...
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In the following essay, Newton deconstructs and compares the idea of facial “recognition” in Himes's If He Hollers Let Him Go and Saul Bellow's The Victim.
We were the e...
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In the following essay, Braham compares the detective novels of Himes and Mexican writer Paco Ignacio Taibo II, arguing that each seeks to regain control of radical and popular history and to redefine...
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In the following essay, Reed reminisces about Himes's last visit to America in 1972, noting that Himes was never well-accepted by the literary establishment at home.
In 1972, when Chester Hi...
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In the following essay, Turner comments on the mixture of violence and humor in Himes's detective fiction.
Often mystery novels allow the reader vicarious confrontation with violence that ha...
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In the following review, Bell discusses subjects such as Himes's views on violence in American culture and the exploitation of the African American writer.
“American male writers don&...
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In the following essay, Gair uses references to the idiom of jazz in Cotton Comes to Harlem to point to the multitude of cultural meanings in the novel.
There are two instances in Chester Himes...
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In the following essay, Kelly gives an overview of Himes's life and work.
When the expatriate, ex-convict, and lifelong writer Chester Himes couldn't pay the rent with his “ser...
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In the following essay, Glasrud and Champion examine Himes's World War II-era short stories, novels, and essays, which reveal the effects of racism on both African Americans and other minoritie...
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In the following essay, Rand discusses Theodore Dreiser's An American Tragedy, Richard Wright's Native Son, and Himes's If He Hollers Let Him Go as examples of the development of ...
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In the following essay, Lindsay offers a tribute to Himes and a summary of his life's work.
A black man from American's heartland, Chester B. Himes (1909-1984) wandered from pre-med s...
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Critical Essay by Edward Margolies
Himes in [his detective fiction] sees Harlem as the intensification, the logical absurdity, the comic horror of the black experience in America. And not naturally, ...
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Critical Essay by John M. Reilly
Chester Himes began writing Tough-Guy fiction in 1957,… and the most striking of his "new angles" is the fact that his stories take place almost ...
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Critical Essay by Stephen F. Milliken
The bitter laugh of the dedicated satirist runs through much of Himes's work, but nowhere is there to be found the limpid moral certainty of the greatest ...
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Critical Essay by A. Robert Lee
Just as [his] earlier fiction was neither as solemn nor monotone as had casually been supposed so Himes's use of the thriller genre, ostensibly all pantomime an...
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In the following essay, Reckley analyzes Himes's use of doubles in his Lonely Crusade by looking at three of his black male characters, Lee Gordon, Lester McKinley, and Luther McGregor.
Ches...
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In the following essay, Rosen discusses the presence of anti-Semitism in Himes's Lonely Crusade and its sources and implications.
Most critics have considered Chester Himes's second n...
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In the following essay, Crooks analyzes the frontier mentality in the detective fiction of Chester Himes and Walter Mosley.
Frederick Jackson Turner's 1893 essay "The Significance of ...
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In the following essay, Cochran discusses the portrayal of racial tensions in Himes's fiction and states that "Himes viewed race as a dialectical relationship which progressed toward inc...
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In the following essay, Reckley discusses the role of the Oedipal Complex and intraracial conflict in the family relationships of Himes's The Third Generation.
Chester Himes' novel Th...
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In the following review, Miller favorably reviews The Collected Stories of Chester Himes.
Seven years after his death in Spain, Chester Himes remains as remote from American readers as he was durin...
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In the following review, Roget asserts that "Chester Himes's autobiography offers invaluable literary witness to the multifaceted black experience in America and abroad."
Chest...
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In the following essay, Sante discuses the effects of exile, translation, and genre on Himes's work.
There is a peculiar purgatory of esteem reserved for those American artists who have been...
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In the following review, Payne asserts that "The generously conceived and readable Collected Stories will facilitate fuller critical response to Himes, and it should enhance his appeal to gener...
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In the following essay, Alter analyzes the role of Gravedigger Jones and Coffin Ed as mediators between the white world of the law and the black world of the streets in Himes's detective fictio...
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In the following essay, Walters traces Himes's representation of "the absurdity of U.S. race relations" in his fiction.
Chester Himes, an American author who in his lifetime ne...
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