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Charles Simic.
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There is a nimble beauty to the poetry of Charles Simic that, given his Eastern European origin, makes many readers think of clever fairytale heroes, witty orphans who can charm any ogre with words al...
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In the following review, Carruth uses a poem by Simic to demonstrate what he considers to be wrong with contemporary poetry.
Pound once wrote: “No good poetry is ever written in a manner twenty...
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In the following review, Atlas praises Simic's ability to condense great meaning into single images in Return to a Place Lit by a Glass of Milk.
Charles Simic's second collection [Return...
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In the following essay, Jackson discusses Heideggerian meaning in the poetry of Simic and Mark Strand.
“If Cleopatra's nose changed the course of the world, it was because it entered the...
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In the following essay, Schmidt analyzes White, finding elements that strongly liken the series to the tradition of Walt Whitman and Ralph Waldo Emerson.
O how joys, dreads, convolutions, human shapes...
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In the following excerpted review, Bennett admires the spareness and clarity of poems that make up Austerities.
[In Austerities] Charles Simic is a story teller, but his tales are mordant. “Ros...
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In the following interview, Simic discusses influences on his work, his personal experiences in Eastern Europe and the United States, and the act of writing poetry.
[Santos]: Would you mind talking a ...
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In the following review, Funsten provides an overview of Selected Poems 1963-1983, finding that Simic's later work is neither as startling nor as evocative as his earlier poems.
At night some u...
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In the following review, Stitt traces the evolution of Simic's poetry from dark and terrifying to lighter and gentler in his volume Unending Blues.
The voice of Charles Simic is surely one of t...
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In the following review, Janas explores the major mythological and philosophical themes in Simic's The Book of Gods and Devils.
What I see is the paradox. What shall I call it? The sacred and t...
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In the following review, Cramer examines elements of Simic's poetry throughout his career that effectively distinguish him from other poets of his generation.
Though often associated with the &...
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In the following essay, Orlich analyzes Simic's connection to the Surrealists, particularly their respective ideas about chance in their writings.
The poet of the future will overcome the depre...
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In the following excerpted review, Hirsch praises Simic's musings on the artist Joseph Cornell in Dime-Store Alchemy.
Charles Simic's new work of prose, Dime-Store Alchemy: The Art of Jo...
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In the following review, Zeidner finds Insomniac Hotel occasionally redundant but many of the individual poems “breathtaking.”
Few contemporary poets have been as influential—or a...
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In the following review, Neville notes the painful subject matter but eloquent writing in The Horse Has Six Legs, edited and translated by Simic.
I've always thought it eerie the way a voice fr...
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In the following essay, Miller analyzes similarities between Simic's poem “Cabbage,” Andrew Marvell's “To His Coy Mistress,” and John Donne's “T...
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In the following review, Anderson explains how the poems in Hotel Insomniac and the prose observations in Dime-Store Alchemy compliment each other, noting in particular Simic's interest in the ...
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In the following review, Kitchen discusses Simic's political poetry in A Wedding in Hell.
[One] way poets have handled … political material is to release it from its historical ties, cre...
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In the following review, Merrill praises Simic's historical sense in A Wedding in Hell and The Unemployed Fortune-Teller.
Where shall we place our faith, in the individual or in the tribe? For ...
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In the following essay, Vendler presents an overview of Simic's major themes and techniques.
Charles Simic's riddling poems, for all that they reproduce many things about his century (it...
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In the following interview, Simic discusses his high school and college years in Chicago.
Charles Simic was born in Yugoslavia and came to the U.S. in 1954, when he was sixteen. He went to high school...
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In the following review, Sofield offers a mixed assessment of A Wedding in Hell.
In the prose-poem “Voice from the Cage,” God seems to appear as “Mr. Zoo Keeper,” and we an...
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In the following review, Bafer compares the works of Ted Kooser to Simic's A Wedding in Hell, finding Simic's poetry taut and evocative.
I am not concerned here with artistic timidity, m...
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In the following review, Breslin asserts that Simic relys on his reputation in Walking the Black Cat rather than breaking new poetic ground.
The dustjacket blurb for Charles Simic's Walking the...
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Critical Essay by Michael Benedikt
Charles Simic's first book, What the Grass Says, has a kind of rock-bottomed simplicity, a simplicity that is spiritual enough to qualify, I think, as a uniqu...
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Critical Essay by William Doreski
There is language and there are languages. Our obsession with translations from languages few of us can read with any cultural comprehension may be leading us away fr...
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Critical Essay by J. D. Mcclatchy
I do not think Charles Simic's [Classic Ballroom Dances] will add to his reputation—a by now firmly established reputation for poems in the surrealist s...
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Critical Essay by Diane Wakoski
I have not yet decided whether Charles Simic is America's great living surrealist poet, a children's writer, a religious writer, or simple-minded. My deci...
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Critical Essay by Geoffrey Thurley
[The most distinctive quality of Simic's poetry] (I hesitate to say straight out its strength) seems actually to be its most signal limitation. This is a bril...
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Critical Essay by David Ignatow
[The poems in "Charon's Cosmology" show] that it is possible to write intensely personal poetry without openly placing oneself at the center. In ce...
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Critical Essay by Alan Williamson
Charles Simic's poetry … has often urged on us the importance of the pre-civilized, even the pre-human, portion of ourselves, in a voice ranging from th...
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Critical Essay by Charles Molesworth
The writer of parables must know what he's about, even if they're Zen or surrealist parables, for the reductive logic of plot will otherwise turn int...
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Critical Essay by Stanley Plumly
Charles Simic is almost unique in American poetry. He was born in another country, into another language. His middle European, Yugoslavian origins still make him an im...
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Critical Essay by Robert Shaw
It is too simple (and simply wrong) to say that poets tailor their styles to gratify their critics. But critical demands, even if they do not force a poet to alter his st...
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Critical Essay by Vernon Young
Charles Simic co-edited with Mark Strand the excellent anthology, Another Republic (1976). He shares with Strand an unmitigated conviction that Armageddon is not far off...
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