In contrast to most first- and second-generation Caribbean writers, Caryl "Caz" Phillips has been singularly successful from early on in his writing career. Few Caribbean writers can claim as Phillips...
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In the following excerpt, Barnes discusses the myth of resettlement in The Final Passage, concluding that Phillips "only partially illuminates its theme."
Homesickness is fabulous mag...
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In the following essay, Sarvan and Marhama examine the representation of historical violence and its consequences in The Final Passage, A State of Independence, and Higher Ground.
Caryl Phillips wa...
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In the following review, Jaggi finds Cambridge to be "a masterfully sustained, exquisitely crafted novel."
Caryl Phillips's first two novels skilfully probed the link between B...
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In the following interview, Phillips discusses the genesis of Cambridge and comments on the different cultural influences at work in his writings.
I first met Caryl, or Caz as I've come to k...
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In the following excerpt from an interview conducted in St. Kitts, West Indies, Phillips speaks to his identity as a writer, relates various literary and cultural influences in his work, and discusses...
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In the following excerpt, Pierpont analyzes Cambridge in the context of Phillips's other works.
In the introduction to his play The Shelter, produced in 1983, when he was twenty-five, the Br...
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In the following essay, O'Callaghan treats the intertextual aspects of Cambridge by examining the novel's relation to slave narratives and travel journals or diaries.
Post-modernism ...
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In the following review, Reynolds likens the structure of Crossing the River to "a consciousness of the burdens of slavery."
Crossing the River, Caryl Phillips's fifth novel, r...
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In the following review, Jaggi relates Phillips's own comments on Crossing the River.
Graham Greene once said childhood was the bank balance of the writer. For Caryl Phillips, the source goe...
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In the following review, Burroway considers Crossing the River "a brilliant coherent vision" and "a book with an agenda."
"The past is never dead," William...
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In the following interview, Phillips talks about his literary success and his responsibilities as a writer.
Taken to England at the "portable" age of 12 weeks from St. Kitts, one of t...
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In the following review, Montrose finds little to fault in The Final Passage, noting that Phillips "has clear potential as a novelist."
Caryl Phillips's first novel [The Final ...
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In the following review, Griffin gives a favorable assessment of Crossing the River, concluding that "the book's final pages [are surely among the most powerful and beautiful pages writt...
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In the following review, Maja-Pearce pans A State of Independence, faulting its "appalling prose style and indifferent characterisation."
For some time now writing by 'black...
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In the following review, Eder finds "a singular freshness" in Phillips's characters in A State of Independence.
From the time he lands in St. Kitts, the Caribbean island he lef...
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Below, Bery calls The European Tribe "an uneven, thin-textured book."
Caryl Phillips's novel A State of Independence deals with the dilemma of a man who goes back to the Caribb...
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In the following review, Lee suggests that the essays in The European Tribe are too brief for "sustained analysis" since Phillips's focus is too broad.
Part travelogue, part cr...
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In the following review, Rubin determines that The European Tribe "is a significant book, but an uneven one."
"As a first-generation migrant, I came to Britain at the portable ...
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In the following review, Lively complains that the theme of oppression in Higher Ground "sticks out too much."
One of the most damaging ways in which to draw and quarter a novel is by...
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In the following review, Smith laments the lack of "a vision of transformation" in Higher Ground.
Caryl Phillips's novel Higher Ground recounts a tragically familiar tale three...
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