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Camilo José Cela.
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The Spanish author Camilo José Cela y Trulock (born 1916) was a prose stylist of extraordinary ability. He is generally considered the major Spanish literary figure of the post-Civil War genera...
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In the following review, Tatum calls the pieces in Baraja de invenciones shocking and gloomy.
Spain's distinguished “inventor” prefaces this collection [Baraja de invenciones] wit...
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In the following review, Foster offers a thematic and stylistic analysis of La familia del héroe.
As a work of fiction, La familia del héroe demonstrates Cela's continued inspirat...
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In the following essay, Foster discusses how Cela uses pattern to structure the plots in his Tobogán de hambrientos and La familia del héroe.
The modern novel has undergone three major d...
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In the following essay, McPheeters surveys Cela's short fiction and sketches published between the years 1944 and 1951—a very productive period in the author's literary career.
St...
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In the following essay, Franz challenges the perception of La familia del héroe as objective or neutral.
In his study, Forms of the Novel in the Work of Camilo José Cela, David W. Foster...
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In the following essay, Abrams considers “Marcelo Brito” to be a “unique synthesis of the tremendista technique and cleverly devised symbolic imagery.”
Jerónimo Mall...
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In the following essay, Eller regards Café de artistas as an “anti-novelette” and argues that the narrative technique, thematic concerns, and structure of this short novel complem...
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In the following essay, Franz finds parallels between La familia del héroe and Pío Baroja's La feria de los discretos.
In a recent interview (“Camilo José Cela: ...
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Critical Essay by Saul Bellow
It is not to be wondered that the Franco censorship disapproves of Cela's novels. Life in Madrid as he portrays it is brutal, hungry and senseless. Hypocrisy, fear...
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Critical Essay by Maxwell Geismar
Camilo José Cela, whose new book, "The Hive," is one of the first important literary documents to reach us from inside the fascist state, is suff...
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Critical Essay by George Woodcock
Among the native novels [to emerge from Spain since the Civil War] the most significant, both in terms of their perception of contemporary Spanish life and also in sh...
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Critical Essay by Emile Capouya
Spain has been forcibly exporting talented elements of its population for a miliennium; the expulsion of the Arabs, then of the Jews, and in our own time of the artists...
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Critical Essay by Anthony Kerrigan
In his poetry—and Cela's overall intuition, and his conditioned use of language, too, is that of a poet—Cela expresses, even more directly, his ...
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Critical Essay by Paul West
If we add Unamuno's concern for the Nietzschean, the violent, even the demonic, to Baroja's rejection of systematic assembly, we have something close to the e...
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Critical Essay by Joan Cain
Readers familiar with La familia de Pascual Duarte and La colmena will find little in [Oficia de tinieblas 5] reminiscent of those works. There are no defined characters, n...
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Critical Essay by Francis Donahue
The social realist cast of the novel in the Gray Age [of Spanish Literature] was set in 1942 by twenty-six-year-old Camilo José Cela who, in his La Familia de ...
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In the following review, the critic asserts, "As a social document [The Hive is exceptional."]
It is some indication of the remarkable quality of this novel [The Hive] by the most eminen...
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In the following essay, Henn presents the themes Cela addresses in La colmena and how the structure of the novel supports these themes.
Discussions of Camilo José Cela's fourth novel, La...
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In the following essay, Spires asserts that the theme of Cela's La colmena can only be understood by experiencing its form.
Camilo José Cela's La colmena has received almost unive...
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In the following essay. Bernstein outlines Cela's ideas about Spain and politics as expressed in his San Camilo.
In Cela's long-awaited novel about the Spanish Civil War we find as compr...
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In the following essay, Brusette asserts that the importance Cela places on fate in his La familia de Pascual Duarte causes the novel's pessimistic tone.
It is generally agreed that the tone of...
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In the following essay, Seator traces the parallels between the work of Cela and that of Ernest Hemingway, including their focus on the primacy of the individual, their affinity with the natural world...
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In the following essay, Thomas discusses the social and ontological questions in Cela's La familia de Pascual Duarte.
In past years, a fundamental difference of opinion has prevailed among crit...
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In the following essay, Kerr presents an overview of Cela's life and major works, and traces his relationship to the political and cultural climate in Spain.
After the death of General Franco, ...
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In the following review, Echevarria praises Cela's Mazurka for Two Dead Men as "a powerful book."
Through the bus window, the change in landscape from Castile to Galicia is abrupt...
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In the following review, Escudero complains that Cela's "El asesinato del perdedor is terribly boring and difficult to read from the very first pages."
Camilo José Cela, th...
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In the following excerpt, Hamill complains that Cela's Journey to the Alcarria does not teach the reader anything about Spain or its author.
Ah, Spain. Her very name calls up the images: the sw...
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In the following review, Carr describes Spain in the aftermath of the Spanish Civil War, as seen in Gabriel Jackson's The Spanish Republic and the Civil War 1931–1939 and Cela's J...
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In the following essay, Donahue describes how Cela's The Family of Pascual Duarte ushered in the Spanish literary movement "tremendismo."
In 1942 when twenty-six-year-old Camilo J...
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In the following essay, Foster provides an analysis of Cela's La familia de Pascual Duarte and its relationship to social criticism, existentialism, and tremendismo.
La familia de Pascual Duart...
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In the following essay, Bernstein presents parallels between Cela's La familia de Pascual Duarte and the myth of Orestes.
Classical mythology has continued to be a fruitful source of themes for...
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In the following essay, Foster discusses how Cela uses pattern to structure the plots in his Tobogán de hambrientos and La familia del héroe.
The modern novel has undergone three major d...
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In the following essay, Kirsner explores the elements of tragedy in Cela's fiction.
From the very beginning of his literary career, even before the birth of that famous family of Pascual Duarte...
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In the following essay, Steel analyzes Cela's use of parenthesis and apposition to draw conclusions about the author.
No one who has read any of Cela's Prólogos can have failed to...
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