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Brian Moore (novelist).
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Brian Moore is often discussed as one of the last modern practitioners of fiction in the realist mode, and indeed realist is an apt description of most of his novels. In a handful of his works, howeve...
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In the following essay, Aldiss comments on his innovative and often controversial view that science fiction is "only a department of fantasy" fiction.
And of course literary pariahs don&...
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In the following excerpt, Wolfe praises A Tupolev Too Far, commending Aldiss for taking literary risks and experimenting with style and content.
Ask a successful novelist why he or she spends time and...
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In the following excerpt, Mathews examines the thematic and stylistic characteristics of Aldiss's major works, including the author's use of satire and irony.
[Aldiss] finds the boundari...
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In the following essay, Wingrove examines several of Aldiss's works from the middle to late 1970s, including Enemies of the System and several short stories, and illustrates how Aldiss departs ...
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In the following excerpted review of New Arrivals, Old Encounters, Disch offers a mixed assessment of the stories, arguing that the quality of Aldiss's writing is uneven and the stories in the ...
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In the following review, Smith notes the Asian emphasis in Foreign Bodies, and maintains that the collection is comprised of "minor stories from a major writer. "
Brian Aldiss claims tha...
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In the following essay, Collings analyzes the novella Brothers of the Head, revealing the psychological elements of the narrative and lauding the book's structure and treatment of the human con...
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In the following essay, Collings surveys Aldiss's short fiction, discussing the author's approach to and handling of the various settings, themes, and subjects in his works.
While much o...
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Critical Essay by Kerry Mcsweeney
One of the most impressive features of Moore's canon has been his ability to keep from repeating himself. Over and over again he has found fresh inventions whi...
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Critical Essay by Hubert De Santana
[The Mangan Inheritance] is mined from very dark depths, and written with sustained intensity. There are echoes and resonances from Moore's earlier fiction, ...
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Critical Essay by Tim Pat Coogan
Moore's latest novel The Mangan Inheritance, is an "entertainment," most of which I found highly entertaining. Most, but not all.
It has every Iri...
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Critical Essay by Tim Heald
[The narrative in The Mangan Inheritance] could easily have become absurd but, although the facts stretch one's credulity beyond the rational breaking point, [Moore]...
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Critical Essay by Richard Stengel
The second half of Brian Moore's disappointing new novel, The Mangan Inheritance, takes place on the ould sod, as the style shifts from that of a conventional ...
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Critical Essay by Roy Foster
Brian Moore remains a curiously unplaceable writer, in a variety of senses. The themes of his work have moved from Ireland to Canada and back again, from detailed psycholo...
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Critical Essay by John Mellors
Brian Moore has a great wallow in Irishness in The Mangan Inheritance before his protagonist rejects his Irish ancestry, condemns the verses of the early 19th century po...
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Critical Essay by Paul Binding
During the last ten years Brian Moore has moved away from the scrupulous and sober realism that distinguished his earlier novels. Judith Hearne (1955) and The Feast of L...
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Critical Essay by Val Clery
Brian Moore is the most extraordinary and the most professional of Canada's writers. In 26 years he has published 12 novels of high literary quality, earning himself...
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Critical Essay by Mark Abley
"We have before us the modern mind, intelligent, skeptical, ironical, splendidly trained for the great game of pretending that the world it comprehends in sterilize...
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Critical Essay by Kerry Mcsweeney
The dust-jacket of Cold Heaven … claims that it shows [Moore] "at the very height of his powers." The sad truth is quite otherwise. In Moore...
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Critical Essay by Richard Deveson
Brian Moore's Cold Heaven proves that a novel can be magnificent even while its central idea remains incredible….
The book is magnificent in a technical...
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Critical Essay by Christopher Lehmann-haupt
We enter Brian Moore's tautly dramatic new novel ["The Temptation of Eileen Hughes"] … through the eyes of Eileen Hughes, a 20-y...
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Critical Essay by Peter S. Prescott
More than most novelists, I think, Brian Moore enjoys playing with his readers' expectations. Aha, he seems to say, you thought I was writing about this; now...
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Critical Essay by Francis King
Brian Moore must always be a cause both of bewilderment and of envy to his fellow novelists. Whereas other modern Irish writers fizz and flash with stylistic intoxicatio...
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Critical Essay by Michael Taylor
Brian Moore writes an unfashionably pellucid prose so bare of intensifying metaphor that a simple sentence like "The rain wept in front of her" leaps fro...
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Critical Essay by David Macfarlane
[In Cold Heaven, Brian Moore] quickly has his readers on the edge of their seats. A young doctor, Alex Davenport, and his wife, Marie, spend a brief holiday in Nice,...
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Critical Essay by Alan Ryan
Moore's interests, even in his comic mood, have always tended toward the dark side of human events—terrible temptations, for example, that force a character...
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Foster is a Canadian critic and educator who has written extensively on Anglo-Irish literature. In the following essay, he examines the central characters in Moore's early novels who, after bei...
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Kanfer is an American novelist, short story writer, dramatist, essayist, and journalist. In the following review, he asserts that characterization in The Color of Blood is superficial and that Moore r...
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Ascherson is a Scottish-born English critic and journalist. In the following review, he praises Moore's astute, humane, and suspenseful depiction of Polish religious and political crises in The...
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In the following essay, Gallagher asserts that faith, both secular and religious, enables many of Moore's characters to survive crises.
Searching for a language more honest than lying is the s...
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Dahlie is a Canadian critic and educator who has written extensively on Moore's works. In the following essay, originally presented at the International Conference of the Canadian Association f...
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Deane is an Irish poet, essayist, critic, and educator. In the following negative review of Lies of Silence, he contends that, although there "are few better living novelists than Brian Moore,&...
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Prose is an American novelist, short story writer, and educator. In the following excerpt, she commends the suspenseful plotting, austere prose, and "thematic weight" of Lies of Silence....
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Eder is an American critic and journalist. In the following review, he praises Moore's suspenseful plotting in Lies of Silence but contends that some of his characters are underdeveloped and se...
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Banville is an acclaimed Irish novelist, short story writer, and critic whose works include Long Lankin (1970), Mefisto (1986), and Ghosts (1993). In the following review, Banville offers a negative a...
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In the following review, Gromer criticizes Moore's use of "stick figures, stock figures" in Lies of Silence, which she considers a "tautly told" yet insubstantial th...
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In the following review, Dahlie praises the suspenseful plotting in Lies of Silence and commends Moore's insistence that individual moral choices produce social consequences.
[Lies of Silence i...
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Eagleton is a prominent English critic, essayist, novelist, and playwright. Written from a Marxist perspective, his critical works include Exiles and Emigrés: Studies in Modern Literature (1970...
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Gates is an American critic and educator who has written extensively on African-American and third-world black literature. In the following highly positive review of No Other Life, he compares Moore...
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Weaver is an American critic, translator, and travel writer who has written extensively on music and the theater. In the following review, he praises the economical style and engaging pace of No Other...
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Trevor is an acclaimed Irish short story writer, novelist, dramatist, and memoirist. In the following review, he commends the subtly detailed evocation of time and place and the insightful characteriz...
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In the following essay, written to commemorate Moore's reception of the Robert Kirsch Award, Miles praises the psychological acuity and moral profundity of Moore's fiction, commending, i...
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An Excerpt from the Luck of Ginger Coffey
Not even able to enjoy a bit of music. Bloody females! He lay back, entering a world where no earthly women were. In that world soft houris moved, small wome...
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In the following interview, conducted in 1982 during the James Joyce Centenary in Toronto, Canada, Moore discusses the treatment of political and religious issues in his novels, and explains why he pr...
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In the following positive review of The Color of Blood, Conway contends that, though character development suffers somewhat due to the demands of Moore's thriller format, the tautly paced novel...
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