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Search "Blonde on Blonde"
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Blonde on Blonde | |
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About 19 pages (5,550 words) in 3 products |
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Encyclopedia and Summary Information
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 Blonde on Blonde Information
4,810 words, approx. 16 pages
 Blonde on Blonde is singer-songwriter Bob Dylan's seventh studio album, released in 1966 by Columbia Records. It is believed to be the first double album in rock music,[1] its length forcing it to two LPs, although some digital reissues fit the album on... 
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 Evening Standard - London Blonde on blondes
03/10/2003: 833 words, approx. 3 pages ON BLONDES by Joanna Pitman (Bloomsbury, pounds 12.99) TWO years ago I turned myself from an artificial brunette to an equally artificial blonde for a very simple reason: my hair was turning white. While it was merely grey I disguised it by reproducing... summary from source:
The Village Voice The Blonds
04/07/2004: 339 words, approx. 1 pages TRACKING SHOTS THE BLONDS Written and directed by Albertina Carri Women Make Movies April 7 through 20, Film Forum The youngest of three sisters whose leftist parents were arrested and "disappeared" during the course of Argentina's late-'70s dirty war,... summary from source:
 The New York Observer Is the Cult of Rootsiness Ruining Dylan\'d5s Songs?
9/10/2006: 1,832 words, approx. 6 pagesO.K., here’s my idea: Maybe it’s time for Bob Dylan to shift from writing more songs to writing more books. Chronicles, the first volume of his memoirs, was brilliant; Modern Times, the new album, a wildly overhyped disappointment. I don’t want him to stop singing... summary from source:
The New York Observer Is the Cult of Rootsiness Ruining Dylan's Songs?
9/10/2006: 1,836 words, approx. 6 pagesO.K., here’s my idea: Maybe it’s time for Bob Dylan to shift from writing more songs to writing more books. Chronicles, the first volume of his memoirs, was brilliant; Modern Times, the new album, a wildly overhyped disappointment. I don’t want him to stop singing...
Literary Criticism
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 Critical Essay by Richard Goldstein
455 words, approx. 2 pages
[The sound of "Blonde On Blonde"] is neither mysterious nor forbidding. "Blonde On Blonde" is Dylan's least esoteric work. At the same time, it signifies a major step in his development as an entertainer and folk-poet. It belongs with "The Times They Are A-Changin'" and "Bringing It All Back Home," as key albums in the Dylan momentum. With "Blonde On Blonde," Dylan buries the put-down song, a genre he perfected in "Li... summary from source:
Critical Essay by Irwin Silber
285 words, approx. 1 pages
[Highway 61 Revisited] is the logical extension of [Bob Dylan's] last three LPs. Somehow, I feel that most critics (and admirers) of the "new" Dylan have missed the main point. They have made Dylan's electrification the point of demarcation between the old and the new. The fact is that "Desolation Row" is not less (or more) "folk music" than "The Death of Hattie Carroll." Whether what Dylan does should or shouldn't be called ...
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About 19 pages (5,550 words) in 3 products |
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