Bliss Carman was one of the Canadian Confederation poets--those born in the early 1860s, of whom Carman, Charles G. D. Roberts, Archibald Lampman, and Duncan Campbell Scott are the acknowledged leaders--who helped bring poetry to the attention of a...

(MUTLULUK) (TURKEY-GREECE) An ANS presentation of an ANS Prods. (Turkey)/Highway Prods. (Greece) production. (International sales: ANS, Istanbul.) Produced by Abdullah Oguz. Co-producer, George Lykiardopoulos. Directed by Abdullah Oguz. Screenplay, Kubilay Tuncer, Elif Ayan, Oguz, based on the novel by Zulfu...

WITH THE abolition of the death penalty for murder and the end of the fashionable defended divorce, members of the Bar tended to lose some of their shine in the public eye. One glowing exception was George Carman who, for some 30 years, provided...

In the following essay, Stephens discusses poems from Carman's Low Tide on Grand Pré, the Vagabondia series, By the Aurelian Wall, the Pipes of Pan series, and the Sappho lyrics, evaluating Carman's strengths and weaknesses as a poet. Stephens concludes that, while Carman's poetry lacks “depth,” he is undoubtedly a master at evoking a sense of place through vivid descriptions of landscape.

In the following excerpt, Pacey provides an overview of Carman's major volumes of poetry, assessing their strengths and weaknesses. He concludes that, while Carman's body of work is mostly flawed and unremarkable, some of his poetry demonstrates a mastery of mood and atmosphere, and is notable for its celebration of the Canadian Maritime region.

In the following essay, Pacey asserts that, while Carman's body of poetry is mostly unoriginal and of negligible quality, several of his early poems exhibit a fine mastery of mood and atmosphere. Pacey concludes that, while Carman was no great poet, he deserves recognition for such exceptional early poems as “Low Tide on Grand Pré.”