Wilder, Billy (1906—)
Born Samuel Wilder in an Austrian village, this six-time Academy Award winning director, screenwriter, and producer was dubbed Billy after Buffalo Bill of the 1880s travel...
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Billy Wilder (born 1906) has been honored repeatedly as one of Hollywood's finest directors, writers, and producers. He created more than 50 films, encompassing such well-known comedies as The Apartme...
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Although Billy Wilder won fame for directing films, especially several brilliant ones between 1944 and 1960, he was always a screenwriter. He never directed a film he did not write; his writing career...
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Critical Essay by John Gillett
[The technical problems of The Spirit of St. Louis are] managed with all the professionalism and flair that Hollywood can muster for such occasions.
The presentation...
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Critical Essay by George N. Fenin
After the whitewashed film version of The Seven Year Itch and the uninspired Spirit of St. Louis, Billy Wilder is now experimenting in the sophisticated and whimsica...
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Critical Essay by Henry Hart
[One, Two, Three] is 1961's best comedy. Which is a rather sad fact, for Wilder comedy is socially disintegrative. It amuses, but it devitalizes, and we are less, ...
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Critical Essay by Pauline Kael
One, Two, Three is overwrought, tasteless, and offensive—a comedy that pulls out laughs the way a catheter draws urine…. [It] was actually shot in Berlin ...
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Critical Essay by John Simon
Billy Wilder's films are belt-and-suspender films: they combine the jaunty, sportif appearance of the belt-wearer with the comfortable, homespun look of the suspen...
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Critical Essay by John Russell Taylor
Why Meet Whiplash Willie? What's wrong with The Fortune Cookie [the film's U.S. title] for a title? At least it has the virtue of sounding like a c...
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Critical Essay by Joseph Mcbride and Michael Wilmington
Wilder's forte is the great American congame. In practically all of his movies (original stories and adaptations alike) the plot revolve...
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Critical Essay by Stephen Farber
Wilder's work, like the work of most of his contemporaries, is compromised; in his case, though, the compromises have been condemned with unusual severity. The...
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Critical Essay by Joseph Mcbride
In his new movie, Avanti!, Billy Wilder is still trying hard to become Ernst Lubitsch. The strain shows, some of the romanticism is forced and mechanical, but there i...
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Critical Essay by George Morris
As moving as much of it is, Fedora is a problematic film. I wish Wilder had given the thwarted romance between Barry and Fedora the same intensity he brings to the sim...
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Critical Essay by Andrew Sarris
From the first strains of Miklos Rozsa's vintage '40s score [in Fedora] we are transported to a timeless realm in which nothing has really changed. The c...
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Critical Essay by James Agee
Charles Brackett and Billy Wilder have a long and honorable record in bucking tradition, breaking rules, and taking risks, according to their lights, and limits. Nobody t...
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Critical Essay by Penelope Houston
In Sunset Boulevard the Brackett-Wilder team took an outsize, legendary character, examined her coldly and ironically—but did not destroy her legendary quali...
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Critical Essay by Henry Hart
[The Spirit of St. Louis is] good, albeit not great….
No script, however ingenious, could by itself have made a film so good as this. Accomplished direction was...
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Berlin (dpa) - A group of German-American investors plans to
convert a huge former US army barracks in Berlin into a luxury city
housing complex named after legendary Hollyw...
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Today is Tuesday, March 27, the 86th day of 2007. There are 279 days left in the year.Today's Highlight in History:On March 27, 1977, 583 people were killed when a KLM Boeing 747, attempting to tak...
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A new biography of Ingrid Bergman casts fresh light on the making of the 1942 classic "Casablanca," in which none of its three stars wanted to appear. They never suspected that their roles would be...
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Knocked Up Running time 129 minutes Written and directed by Judd Apatow Starring Seth Rogen, Katherine Heigl, Paul Rudd, Leslie Mann
Judd Apatow’s Knocked Up, from his own screenplay, has be...
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The years have been kind to "Citizen Kane," including the last decade. The 1941 Orson Welles classic _ the story of a wealthy young idealist transformed by scandal and vice into a regretful old rec...
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When Louis B. Mayer saw Billy Wilder’s Sunset Boulevard, he exploded, “How dare this young man, Wilder, bite the hand that feeds him?” (Wilder, who was present, replied, “I ...
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When Louis B. Mayer saw Billy Wilder’s Sunset Boulevard, he exploded, “How dare this young man, Wilder, bite the hand that feeds him?” (Wilder, who was present, replied, “I...
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My favorite still from a movie made in New York is not in this book. I first saw it as a child of 11 or 12—I could have been leafing though Daniel Blum’s A Pictorial History of the Sile...
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My favorite still from a movie made in New York is not in this book. I first saw it as a child of 11 or 12—I could have been leafing though Daniel Blum’s A Pictorial History of the Sile...
Read more