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Bernard Herrmann

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"Bernard Herrmann" Search Results
Contents:
Biography

Name: Bernard Herrmann
Birth Date: June 29, 1911
Death Date: December 24, 1975
Place of Birth: New York, New York, United States
Place of Death: New York, New York, United States
Nationality: American
Gender: Male
Occupations: composer, conductor

summary from source:
Biography of Bernard Herrmann
1,901 words, approx. 6 pages
Bernard Herrmann (1911-1975) is perhaps the greatest composer of motion picture music in the twentieth century. He is best remembered for his dark, suspenseful, innovative musical scores, written for such celebrated film directors as Alfred Hitchcock,...


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Encyclopedia and Summary Information
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Bernard Herrmann Information
2,887 words, approx. 10 pages
Bernard Herrmann (June 29, 1911 – December 24, 1975) was an Academy Award-winning composer (The Devil and Daniel Webster, 1941). Although Herrmann is particularly known for the scores he created for Alfred Hitchcock's films, most famously Psycho,...


News and Journals
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Cineaste
Psycho: the music of terror.(Bernard Herrmann)
12/22/2006: 5,957 words, approx. 20 pages
The most famous cue in movie history, "The Knife" in Psycho's shower scene, has been ripping through our culture ever since Bernard Herrmann secretly created it. This is the cinema's primal scream, deeply imbedded in our moviegoing subconscious. Anyone who teaches film knows...
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Sensible Sound
Herrmann: Music from Great Film Classics. Bernard Herrmann conducting the London Philharmonic Orchestra. Mobile Fidelity Ultradisc II UDCD 701.(Review)
05/01/1998: 329 words, approx. 1 pages
Herrmann: Music from Great Film Classics. Bernard Herrmann conducting the London Philharmonic Orchestra. Mobile Fidelity Ultradisc II UDCD 701. Korngold, Steiner, Waxman, Tiomkin, and Rozsa are names commonly associated with classic film music. But Herrmann's scores may have been the most influential...
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The New York Observer
Sideways, Ray, The Incredibles \'c9. The Best and Worst Movies of 2004
1/9/2005: 2,261 words, approx. 8 pages
As far as I can determine, 2004 seems to be neither the best nor the worst year for movies, at least as far as the proportion of good (low, as always) to bad (high, as always) is concerned. Of course, the technology keeps changing-often to...
 


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Bernard Herrmann

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About 16 pages (4,889 words) in 3 products


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