Badenheim 1939
by Aharon Appelfeld
Aharon Appelfeld (also spelled Aron Appelfeld) was born in 1932 in Czernowitz, the capital of Bukovina, a largely German-speaking region of central Europe that wa...
Read more
In the following essay, Langer contends that Appelfeld's Badenheim 1939 is full of narrative ironies, and that “his language contains a Janus-like energy, full of hints and portents that...
Read more
In the following essay, Hatley addresses the role of memory and mourning in the novella, Badenheim 1939.
I. Badenheim 1939: Annihilated Bodies
Where are these dead? In a memorable scene from Badenh...
Read more
Critical Essay by Christopher Lehmann-haupt
You know almost from the beginning what's going to happen at the end of "Badenheim 1939."… And yet when the final catastrophe a...
Read more
Critical Essay by Thomas Flanagan
The imaginative literature of the Holocaust seeks to imagine the unimaginable, and artistic failure is therefore a condition of its enterprise. Indeed, the reality i...
Read more
Critical Essay by Gabriele Annan
The content of Badenheim 1939 is disturbing, and so is its form. It is a fable—but only just. The protagonists are not horses, or pigs, or denizens of other ti...
Read more
Critical Essay by Robert Fyne
One of the most difficult of literary forms to master is the contemporary fable. Usually steeped in allegory, allusion, metaphysics or other forms of esoterica, this gen...
Read more
Critical Essay by Joel Agee
"The Age of Wonders," the second of Mr. Appelfeld's books to be published in English, deals with a [subject similar to that of his first book, "...
Read more
Badenheim 1939 by Aharon Appelfeld, opens with the description of a peaceful and beautiful town named Badenheim being visited by some average Jewish guests. The visitors think they are going to Badenh...
Read more
Badenheim 1939
Critical Essay by Lawrence L. Langer
Badenheim 1939
