Everything you need to understand or teach
Andrew Nelson Lytle.
Products may contain comprehensive summaries, analysis, notes, articles, essays,
lesson plans and more. See below for details on what is included.
After his participation in the Agrarian symposium I'll Take My Stand in 1930, Andrew Lytle set himself to the task of learning the craft of fiction. Working slowly and carefully, he produced by 1958 f...
Read more
Critical Essay by Fred T. Marsh
["The Long Night"] tells a story which succeeds in keeping you on its trail. Whatever else it may be, it is not dull.
It seems to be a good many things at...
Read more
Critical Essay by Thomas Daniel Young
Except for some casual statements about his being a writer, the many detailed accounts of family history and legend that appear almost unchanged in [Lytle'...
Read more
Critical Essay by Harold L. Weatherby
[The remarkable quality of Lytle's memoir, A Wake for the Living, is how] Lytle's dead ancestors exert an almost frightening pressure upon the livin...
Read more
Critical Essay by Robert V. Weston
William Faulkner is an undisputed fact of our literature; Andrew Lytle is a neglected, little-understood figure, who is in some danger of suffering a total eclipse. ...
Read more
Critical Essay by Hamilton Basso
["The Long Night"] will probably rank with Mr. John Peale Bishop's "Act of Darkness" as the best fictional performance of the Southe...
Read more
Critical Essay by John Farrelly
"A Name for Evil" is a ghost story. A man and his wife plan to renovate a dilapidated old plantation house, but before long the man senses a hostile influ...
Read more
Critical Essay by Robert O. Bowen
["The Velvet Horn"] has a ranging profundity and rich life found in current American fiction only in a Southern setting. Only the South offers a people ...
Read more
Critical Essay by George Core
The appearance of [Andrew Lytle's collection of critical essays] The Hero with the Private Parts is, in the best sense, what New York reviewers like to call a ...
Read more
Critical Essay by Thomas H. Landess
One has to admire the total achievement of [The Velvet Horn]: the broad spectrum of characters, the variety of incident, the beautifully cut details, the shifting l...
Read more
Critical Essay by Madison Jones
[In "Mister McGregor" the narrator is all important,] for the story is in fact his own story. At first glance, however, his role seems merely secondary, t...
Read more
Critical Essay by Robert Penn Warren
[The story of revenge related by Andrew Lytle in The Long Night is based on oral tales told in the Cumberland.] But when, in the cold light of morning, the teller ...
Read more
Critical Essay by Nancy Joyner
The nineteenth-century Southern woman of the middle class was assumed to be modest, submissive, frail, pious, given more to moral than to intellectual capabilities, whol...
Read more