In the following review, Gunn compares Vassilis Alexakis's La langue maternelle with Makine's Le testament français, examining their place within French literature.
Both these ...
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In the following essay, Knorr assesses Makine's work and its place within contemporary French literature.
French book prizes get more attention when there is a story attached. The book isn...
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In the following review, Jones states that Le testament français centers on the protagonist's search for his cultural and social identity.
Russian-born Andreï Makine's f...
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In the following review, Wright praises Le testament français, lauding its juxtaposition of life in France and Russia.
Le testament français sent me back to Dr Zhivago, and I don...
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In the following review, Lottman describes Makine's career path and his rise to critical and popular success.
It's the stuff of romance—or maybe of grand opera: the Russian ...
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In the following review, Emck argues Le testament français “is a novel of charm and feeling,” but is not deserving of the high levels of literary hype it received.
Novels about...
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In the following review, Tolstaya provides an analysis of Dreams of My Russian Summers and attempts to correct what she believes are mistakes made by other reviewers.
Russian literature may take pr...
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In the following review, Merlin posits that Dreams of My Russian Summers examines a person living under the influence of French and Russian cultures—and the impact the two conflicting systems c...
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In the following review, Jones discusses Confession d'un porte-drapeau déchu.
The story of how Russian-born Andreï Makine published his second novel, Confession d'un por...
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In the following review, See contends Once upon the River Love is flawed due to its tired cliches regarding the political situation in Siberia and a glut of passages focusing on movie star Jean-Paul B...
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In the following review, Brookner concludes that Makine has further refined his storytelling abilities in The Crime of Olga Arbyelina.
The Crime of Olga Arbyelina is the fifth novel written by the ...
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In the following review, Dallas contends that Makine sensitively handles the topic of incest in The Crime of Olga Arbyelina.
Andreï Makine is a Russian émigré writer with an ex...
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In the following review, Merlin asserts that the main topic of Once upon the River Love is the relationship between the East and West.
In Andreï Makine's Once upon the River Love, thr...
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In the following review, Tahourdin delineates similarities and differences between Once upon the River Love and Le testament français.
Once upon the River Love was originally published befor...
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In the following essay, Taras presents critical summaries of Makine's five published novels and connects the works to “the political values central to his narrative of Russia.”
...
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In the following review, Merlin argues that the son's relationship to his mother in The Crime of Olga Arbyelina functions as an allegory for the relationship between Makine and Mother Russia.
...
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In the following essay, Riemer provides an overview Makine's major works and themes.
Late February is not yet springtime in Paris, but bookshops are usually in bloom by then with brightly co...
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In the following review, Champagne asserts that La musique d'une vie functions as part of a modern Russian folklore that extends beyond Russia.
Andreï Makine received the Prix Goncour...
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In the following review, Sooke provides a brief plot synopsis of Requiem for the East, praising the novel, and believing that readers will enjoy the work.
Andreï Makine's new novel, R...
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In the following review, Phipps lauds Makine's treatment of subject matter in Requiem for the East.
Andreï Makine has been compared to Nabokov, Chekhov, Proust. Far from flattering hi...
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In the following review, Chamberlain argues that Makine's Requiem for a Lost Empire is a thoroughly modern novel.
The Russian novelist Andreï Makine, who writes in French, finds that ...
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In the following review, Jones discusses Requiem for the East as another of the author's works commenting on his feelings about his Russian experience.
[Requiem for the East] is Makine...
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In the following review, Champagne contends that Makine's ability to skillfully narrate a story is displayed in Requiem for a Lost Empire.
There is sadness and joy in [Requiem for a Lost Emp...
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In the following review, Picone asserts that Makine “continues to earn the sky-high literary comparisons … thrust upon him.”
Makine's latest novel [Requiem for a Lost Em...
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In the following review, Green questions why a reader would want to read about the Stalinist era in Russia in Makine's Music of a Life.
Reading novels, good or bad, about the grimy puritanis...
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In the following review, Birkerts assesses what he believes to be some of the faults of Makine's Music of a Life.
In this era of hybrid literary adventurism, Russian émigré And...
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In the following review, King describes Makine's artistry as displayed in his novel A Life's Music, also known as Music of a Life.
Like most human beings, most novelists are neither o...
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In the following review, Thompson asserts that Makine makes the most of the novella form in A Life's Music.
Andreï Makine left his native Russia in 1987 after glasnost, and travelled ...
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In the following review, Hunt praises Music of a Life as a powerful and epic novel.
Andreï Makine's powerful new novel opens in a provincial train station in the middle of a snowstorm...
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In the following essay, Safran examines Makine's unique role as a bilingual Russian and French writer, noting the critical reception of his works by Russian, French, and American literary criti...
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