Biography EssayAma Ata Aidoo's identity as an African woman is a propelling force governing her artistic vision, and she is one of the few African writers who persist in exploring the colonial history...
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(Christina) Ama Ata Aidoo (born 1942) explored the social conscience of her African peers through her writing, speaking, and teaching endeavors.Ghanaian writer and educator, Ama Ata Aidoo delved the s...
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Ama Ata Aidoo's identity as an African woman is a propelling force governing her artistic vision, and she is one of the few African writers who persist in exploring the colonial history of the contine...
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In the following essay, Eko examines how Aidoo subverts the traditional role of the African female protagonist in Anowa, comparing the play to several works from African and African American authors.
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In the following essay, Samantrai asserts that African nationalism is a major recurring motif in Aidoo's oeuvre, noting that works such as Our Sister Killjoy function as “example[s of ho...
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In the following essay, Innes discusses how political and cultural corruption relates to and influences the work of Aidoo and Ghanaian author Ayi Kewi Armah.
At the close of A Man of the People, Chinu...
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In the following review, Afzal-Khan comments on No Sweetness Here on the occasion of its reprinting over twenty-five years after its original publication.
The republishing of this 1970 collection of s...
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In the following review, Smith praises the stories in The Girl Who Can and Other Stories, complimenting Aidoo's examination of gender disparity in postcolonial Africa.
Writing in several genres...
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In the following essay, Karavanta discusses Anowa from a global perspective, commenting that the play's most significant attribute is “the multiple voices that it engages in addressing t...
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In the following essay, Olaussen argues that Changes: A Love Story presents an “utopian” vision of the deconstruction of traditional sexual roles in postcolonial Africa.
“What doe...
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In the following essay, Olaogun explores the recurring theme of slavery in Anowa, Bessie Head's Maru, and Buchi Emecheta's The Slave Girl, asserting that the slavery motif “sugges...
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In the following essay, Nwankwo explores how the reality of African feminism is portrayed in No Sweetness Here and Our Sister Killjoy.
Feminism challenges, with justification, the secondary status of ...
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In the following essay, Owusu considers the impact of racial and gender issues on Our Sister Killjoy, commenting that the novel “seems to defy easy categorization, and one soon gets the impress...
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In the following essay, Wilentz asserts that Our Sister Killjoy deconstructs traditional “prescribed theories of exile” and presents an original narrative from the perspective of a femal...
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In the following essay, Wilentz evaluates the “dilemma” of traditional African versus Western values that Aidoo constructs in The Dilemma of a Ghost.
If you educate a man, you educate an...
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In the following interview, originally conducted in Fall 1991, Aidoo discusses her role as an African writer, African immigration to the West, and elements of feminism in her work.
Introduction
Ama At...
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In the following interview, originally conducted on January 29, 1992, Aidoo discusses her feminist perspective, African nationalism, and the portrayal of African immigrants in her work.
Ama Ata Aidoo ...
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In the following review, Gardner compares and contrasts Changes: A Love Story with Nigerian author Buchi Emecheta's Kehinde.
Ama Ata Aidoo and Buchi Emecheta, despite their different nationalit...
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In the following essay, MacKenzie examines Aidoo's generally optimistic portrayal of postcolonial African culture in No Sweetness Here, arguing that the collection employs “a narrative t...
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Ama Ata Aidoo
(Christina) Ama Ata Aidoo
