In the following essay, Wiley examines feminist and racial perspectives on Childress's Wedding Band.
In the first act of Wedding Band, a scene of reading and performance occurs that lies at the...
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In the following interview, which took place in 1993, Childress discusses her attraction to and experience in the theater, as well as the feminist and racial issues explored in her work.
[Maguire:] Th...
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In the following essay, Dresner identifies rebellion as the link between the humor of the white suburban housewife and the African-American domestic worker.
What has been termed “domesticȁ...
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In the following essay, Schroeder surveys the reasons for the critical neglect of Childress's work—especially on the part of feminist critics—and urges a reassessment of her oeuvr...
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In the following essay, Billingslea-Brown considers the impact of anti-miscegenation laws on the lives of the characters in Childress's Wedding Band.
Between American jurisprudence and literary...
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In the following essay, Turner compares the history and nature of Langston Hughes's Simply Heavenly and Childress's Just a Little Simple in order to gain insight into the “complex...
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Critical Essay by Arthur Gelb
The author of "Trouble in Mind" is Alice Childress, a writer with a quick eye for the foibles and crotches, the humor and pathos of backstage life in the ty...
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Critical Essay by Ed Bullins
There are too few books that convince us that reading is one of the supreme gifts of being human. Alice Childress, in her short, brilliant study of a 13-year-old black her...
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Critical Essay by Norma Rogers
In A Hero Ain't Nothin' But a Sandwich, Alice Childress intimately portrays the oppression of the working class people living in Afro-American communities....
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Critical Essay by James V. Hatch
Bill Jameson [in Wine in the Wilderness] is the product of the old black bourgeois values. Sonny-Man and Cynthia are also victims of this old social order. They are ed...
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Critical Essay by Ray Anthony Shepard
The young adult novel seems to be here to stay, and with books like Alice Childress's A Hero Ain't Nothin' But a Sandwich … one can se...
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Critical Essay by Zena Sutherland
There is little movement in this one-act drama [When the Rattlesnake Sounds], but a wealth of poignant dialogue….
The title refers to [Harriet Tubman's]...
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Critical Essay by Mary M. Burns
Generally, plays written especially for young people are reviewed as useful rather than as literary works. [When the Rattlesnake Sounds], however, is a poignant celebra...
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Critical Essay by John T. Gillespie
Alice Childress' experience as playwright and actress is revealed in the brilliant characterization and dialogue in Hero, essentially the story of a 13-year-...
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Critical Essay by Miguel Ortiz
Each chapter [in A Hero Ain't Nothin but a Sandwich] is essentially a monologue delivered by each of the different participants in the story. This allows for utmo...
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Critical Essay by Sally R. Sommer
Trouble in Mind is a play about black actors rehearsing a pretentious, liberal, anti-lynching play written by whites, produced by whites, and directed by whitesȁ...
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Critical Essay by Loften Mitchell
Miss Childress writes with a sharp, satiric touch. Character seems to interest her more than plot. Her characterizations are piercing, her observations devastating. A...
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Critical Essay by Clive Barnes
[Childress's one-act play "String"] was suggested by the Guy de Maupassant story of the Norman peasant Hauchecorne, called "The Piece of Stri...
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Critical Essay by Doris E. Abramson
Alice Childress has been, from the beginning, a crusader and a writer who resists compromise. She tries to write about Negro problems as honestly as she can, and sh...
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Critical Essay by Donald T. Evans
Black people have recognized the need for their own theater. To give voice to our esthetic meant that we had to be free of the white man's evaluation, his stan...
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Critical Essay by Clive Barnes
["Wedding Band"] is a romantic play, and does not entirely escape the charge of sentimentality.
The writing is rather old-fashioned in its attempt at Ibsen...
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Critical Essay by Edith Oliver
["Wedding Band" is a play about] a pair of lovers no longer young. She is black, he is white; she is a seamstress, he is a baker named Herman. The time is ...
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Critical Essay by Walter Kerr
["Wedding Band" is an] honest and provocative look into black life in America just as World War I was giving way to the Twenties, though it has its vitamin ...
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Critical Essay by Harold Clurman
[Wedding Band] has an authenticity which, whatever its faults, makes it compelling….
The play's basic theme emerges from the portrayal not only of the bi...
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Critical Essay by James Park Sloan
Cora James's short walk through life [portrayed in "A Short Walk"] carries her from birth in 1900 through marriage to a dull man of property, fl...
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Critical Essay by Alice Walker
The history covered fictionally in A Short Walk is impressive and important: minstrel-show performers in the twenties are shown to have authentic lives behind the masks;...
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In the following essay, Curb explores Childress's portrayal of women in her dramas, particularly Wedding Band.
Alice Childress, a serious contemporary playwright whose work has received little ...
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In the following review, Wilson praises Childress's rich characterization and dialogue in A Short Walk.
Alice Childress has written a remarkable book [A Short Walk] that takes its title from th...
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Harris is an educator. In the following essay, she discusses Mildred, Childress's narrator in Like One of the Family, and her position in oral and written African-American literature.
When they...
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In the following essay, Hill compares the strengths and weaknesses of Childress's book A Hero Ain't Nothin' but a Sandwich with those of the film version of the novel.
The importa...
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In the following essay, Brown-Guillory discusses the stages of Tommy's development in Wine in the Wilderness.
Alice Childress, born in 1920 in Charleston, South Carolina and reared in New York ...
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In the following excerpt from an interview conducted May 1, 1987, Childress discusses her background and motivation as an author.
Alice Childress, born in 1920 in Charleston, South Carolina, and reare...
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In the following essay, Brown-Guillory discusses the depiction of black characters in the plays of Childress, Lorraine Hansberry, and Ntozake Shange.
Alice Childress, Lorraine Hansberry, and Ntozake S...
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In the following review, Govan explores the role of the Black Aesthetic in Childress's novel Rainbow Jordan.
In 1988, twenty years beyond the period and in an age enamored of political voyeuris...
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In the following essay, Wiley offers a feminist reading on the relationships among the female characters in Wedding Band.
In the first act of Wedding Band, a scene of reading and performance occurs th...
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[In the following excerpt, Childress discusses her works and writing process.]
[Childress]: I wrote my play Wedding Band as a remembrance of the intellectual poor. The poor, genteel and sensitive peop...
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[In the following, Rule provides a brief overview of Childress's career.]
Alice Childress, an actress and a writer of plays and novels, including A Hero Ain't Nothin' but a Sandwi...
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[In the following excerpt, Miller discusses Childress's depiction of black women in her best-known plays.]
In 1933, in an essay entitled "Negro Character as Seen by White Authors,"...
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[In the following essay, Killens discusses various aspects of Childress's career, lauding her numerous accomplishments.]
There were the Childress plays up at the Club Baron in Harlem in the lat...
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[An American educator and playwright, Brown-Guillory is the author of several works on contemporary drama. In the following excerpt, she offers an overview of Childress's principal plays, ackno...
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