The French poet, dramatist, and fiction writer Louis Charles Alfred de Musset (1810-1857), a major romantic poet, is remembered for his Iyric poems, elegant comedies, and the powerful drama "Lorenzacc...
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Most great dramatists who have played a major role in the development of their national dramatic traditions--William Shakespeare and Molière spring immediately to mind--were actively involved i...
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Although in this century the appeal of his poetry has finally been eclipsed by the charm of his theater, at the height of his popularity in his own time Alfred de Musset was known chiefly as a lyric p...
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In the following essay, King highlights the theme of creative lassitude in Musset's life and writings.
Baudelaire describes Musset disparagingly as “un paresseux à effusions gr...
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In the following essay, Bishop regards Musset as the first practitioner of Romantic irony in French poetry and drama and evaluates his use of this mode in the long poem “Namouna.”
Sin...
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In the following essay, Lowin describes Musset's structural framing of action, character, and theme in Lorenzaccio.
Were one to view a full-length play, not as one observes a stage productio...
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In the following essay, Bishop maintains that Musset's poem “Souvenir” fits the structural, thematic, and narrative mode of the “greater Romantic lyric” as defined b...
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In the following essay, Hamilton examines the motif of game-playing and display of structural, thematic, and psychological tensions between spontaneity and calculation in Musset's On ne badine ...
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In the following essay, Hamilton elucidates patterns of imitative desire in Musset's Lorenzaccio, linking these structural elements with the drama's themes of disillusionment, futility, ...
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In the following essay, Cooper explores the principle of fragmentation in Lorenzaccio, suggesting that the play is “a prototype of modern French drama.”
In act 3, scene 3 of Musset...
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In the following essay, Zielonka centers on distinctions Musset makes between the qualities of a poet and those of a prose writer in his unfinished novel Le poète déchu.
Musset est qu...
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In the following essay, Gamble evaluates the narrative and dramatic structure of Musset's early verse works “Don Paez,” “Portia,” and “Les marrons du feu,...
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In the following essay, Duncan interprets Musset's sonnet that begins “Que j'aime le premier frisson d'hiver,” emphasizing themes of equilibrium and cyclic change in...
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In the following excerpt, Bishop presents a survey of Musset's poetic genres and styles, including his short lyric poetry, narrative and dramatic verse, and Les nuits cycle.
Shorter Poems
Mu...
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In the following essay, King surveys Musset's Contes d'Espagne et d'Italie, examining this work as a product of the writer's early literary apprenticeship.
In the early ...
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In the following essay, Piette contends that the protagonist of Musset's drama Lorenzaccio is an ironic figure associated with chaos, self-destruction, and futility, rather than a tragic hero.
...
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In the following essay, Gamble discusses Musset's artistic application of life experience to his literary works.
“Alfred de Musset, féminin et sans doctrine, aurait pu exister ...
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In the following essay, Hamilton offers a psychoanalytic reading of Musset's Les nuits as poems based on the polarity of projected ego and anima.
Musset structures his series of lyrical poem...
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In the following essay, Fuchs appraises Musset's novel La Confession d'un enfant du siècle, illuminating its religious qualities as confessional literature.
The love affair bet...
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In the following essay, Johnson cites the relationship between language and desire portrayed in such works as Fantasio, Les caprices de Marianne, and On ne badine pas avec l'amour.
When Coun...
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In the following essay, McCready regards the theme of fidelity and its proof in two of Musset's comedies of the 1830s.
A husband is unsure of his wife's fidelity and hatches a scheme ...
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In the following excerpted introduction to his translations of Musset's historical tragedies, Sices briefly summarizes the contexts and content of Lorenzaccio and Andrea del Sarto.
FILIPPO
...
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In the following essay, Le Vay observes mythic patterns and imagery of rebirth and redeemed love in Musset's Les nuits poems.
According to myth, in the fall (October), Attis/Adonis is slain....
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In the following essay, Beus considers the ironic mood of Musset's collected drama and poetry, characterizing the writer as an outstanding proponent of nineteenth-century French Romantic irony....
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In the following essay, King analyzes various modes of language—poetic, prosaic, and sentimental—employed in Musset's drama Fantasio, describing the characters and themes associat...
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In the following essay, King acknowledges that La Confession d'un enfant du siècle is a decidedly Romantic work featuring Musset's projection of the post-Napoleonic social malaise...
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In the following essay, Tappan explicates the thematic function of the rose in Musset's “La nuit de mai,” linking it with the poem's representation of fecundity and procrea...
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In the following essay, King concentrates on Musset's depiction of the title figure in his drama Fantasio as a faithless young man, examining this character's extensive use of exclamatio...
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In the following essay, Luce studies Musset's skilled application of language as a medium of disguise, deception, and equivocation in his short theatrical pieces, or proverbes.
An appropriat...
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In the following essay, Maclean probes the masculine and feminine symbolism of Musset's drama Lorenzaccio in relation to its tragic theme of sexual defilement.
The world of Lorenzaccio is a ...
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In the following essay, Rubin underscores Musset's ironic evocation of Fantasio as a court jester figure associated with ennui, futility, and disenchantment rather than light-hearted comedy.
...
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