Pope, Alexander(1688–1744)
Alexander Pope, England's leading poet of the Age of Reason, was born in London, the son of a prosperous Roman Catholic linen draper. His Catholicism barred hi...
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Biography EssayThere was a time when scholars, and educated people in general, tended to think of the first half of the eighteenth century as the "Age of Pope." Now the period is more commonly termed ...
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The English poet and satirist Alexander Pope (1688-1744) was the greatest poet and verse satirist of the Augustan period. No other poet in the history of English literature has handled the heroic coup...
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There was a time when scholars, and educated people in general, tended to think of the first half of the eighteenth century as the "Age of Pope." Now the period is more commonly termed the "Augustan ...
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Alexander Pope's prose, even when most intimate, bears directly or indirectly upon his poetry. Accordingly, his essays range from short pieces such as the defense of his pastoral poetry to the extende...
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Alexander Pope's biographer Maynard Mack has estimated that the poet's personal library contained between 650 and 750 volumes. Such a collection would have been similar to those of other contemporary ...
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In the following essay, Rumbold investigates post-Restoration cultural attitudes about women and gender in light of Pope's religious and political sympathies as well as his physical infirmities...
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In the following essay, Rosslyn scrutinizes the evolution of the cultural significance of the term “good Humour,” tracing changes from Pope's era through the end of the eighteenth...
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In the following essay, Spacks elucidates the function of the “ruling passion” theory in the Epistles to Several Persons by positing it as a corollary of fictional reality.
Discussing...
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In the following essay, Aubrey suggests that Pope's landscaping at Twickenham reflects an overarching principle that informs his poetic oeuvre, namely, the traditional literary theory that rank...
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In the following essay, Stephanson considers Pope's identification with the female voices of Eloisa to Abelard, “On the statue of Cleopatra,” and Sapho to Phaon as an artistic str...
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In the following essay, Brown plumbs the depth of Pope's instinct for self-fashioning in his letter writing, explaining the role of the poet's concept of fiction in his approach to publi...
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In the following essay, Wheeler addresses the autobiographical aspects and personal tone of The Temple of Fame, speculating on the nature of Pope's attitude toward literary fame.
When Pope s...
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In the following essay, Blocksidge provides an overview of Pope's life and career, highlighting the personalities whom he targeted—and who targeted him—as the objects of satirical...
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In the following essay, Thomas demonstrates how a variety of eighteenth-century women responded to Pope's poetry in terms of cultural issues surrounding their ability to create literary art, fo...
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In the following excerpt, Deutsch describes Pope's poetic corpus within the context of the emerging book trade and role of professional writer, relating how the ubiquitous image of the poet mar...
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Rogers is a prominent literary historian specializing in eighteenth-century studies and a recognized authority on Pope. In the following essay, which originally appeared in his An Introduction to Pope...
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In the following essay, Knellwolf investigates the myth of artistic origins in Windsor-Forest in relation to contemporary conventional thought on femininity and aesthetics, highlighting the fundamenta...
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In the following essay, Morris discusses Pope's attitudes toward the literary past, particularly his “veneration” of Dryden's poetry, in terms of both the classical theory ...
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In the following essay, Brown reveals inconsistencies in the rhetorical devices used in Epistles to Several Persons to address questions of morality, gender, and pastoral aesthetics, elucidating the c...
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In the following essay, Pollak outlines differences between Pope and Swift in their formal responses to eighteenth-century sexual ideology, highlighting the emergence of modern cultural attitudes abou...
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In the following excerpt, Damrosch demonstrates the rhetorical nature of Pope's literary achievement by comparing the aims of his poetry with those of earlier and later poets as well as with st...
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In the following essay, Nuttall attributes the dynamic elements of Pope's literary style to his use of the poetic techniques of Virgil as evidenced by his youthful translations of Homer'...
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Dennis was a minor eighteenth-century writer who is generally esteemed for his literary criticism. However, his several unusually abusive attacks on the character and writings of Pope have largely dim...
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In the essay below, Butt examines the inspiration behind Pope's poetry, including "the inspirations drawn from fancy, morality, and books."
The twentieth-century reader is begi...
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Leavis was an influential contemporary English critic. In the following excerpt, he suggest paths toward a more judicious, comprehensive assessment of Pope's accomplishment than was generally a...
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Edwards was an American educator who has written extensively on poetry and politics. In the following essay, originally published in his This Dark Estate: A Reading of Pope (1963), he discusses proble...
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Below, Edwards provides an overview of twentieth century critical reaction to Pope's works.
It was only ninety years ago that Arnold pronounced Dryden and Pope "classics of our prose....
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In the essay below, Atkins offers a deconstructionist reading of Epistle to Dr. Arbuthnot, focusing on the relation of the self to the other.
An Epistle to Dr. Arbuthnot is normally read as Pope...
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In the essay below, Cutting-Gray and Swearingen reinterpret An Essay on Man, stating that the poem anticipates modern ideas about human nature.
Nothing more clearly marks the character of the eight...
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In the essay below, Rogers provides a publishing history of the various editions of The Dunciad, stating that they show Pope was "a brilliant poet and acute businessman, sensitive to the follie...
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An English essayist, Hazlitt was one of the most important critics of the Romantic age. In the following excerpt from an essay originally published in 1818, he discusses Pope's verse as an inco...
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An English poet and dramatist, Byron is considered one of the most important versifiers of the nineteenth century. In the following excerpt from a letter which refutes the points made in W. L. Bowles ...
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Lowell was a celebrated American poet and essayist, and an editor of two leading journals, The Atlantic Monthly and the North American Review. In the following excerpt from an essay originally publish...
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Many scholars consider Stephen the most important literary critic of the Victorian Age after Matthew Arnold. In the following excerpt, Stephen judges the moralistic quality of Pope's verse.
...
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Although Arnold was a poet and a commentator on the social and moral life in England, he was essentially an apologist for literary criticism. In the following summary, recognized as the quintessential...
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Saintsbury has been called the most influential literary historian and critic of the late nineteenth and early twentieth centuries. His studies of French literature have established him as a leading a...
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Sitwell was a twentieth-century English poet who, extremely cognizant of the value of sound and rhythmic structure in poetry, experimented widely in these areas in her verse. In the following excerpt ...
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Auden was an English poet and critic who belonged to the generation of British writers strongly influenced by the ideas of Karl Marx and Sigmund Freud; he considered social and psychological commentar...
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"God is either cruel or incompetent.""Common sense is not so common.""The early bird gets the worm, but the second mouse gets the cheese."These pithy quips from Woody Allen, Voltaire and Steven Wri...
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In the 15 years during which I more or less regularly conducted a column for this newspaper, I can’t recall presuming to address issues of foreign policy more than once or twice. I suppose th...
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