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Alain Robbe-Grillet.
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The French novelist Alain Robbe-Grillet (born 1922) achieved fame for his innovative techniques in writing fiction. Influential in avant-garde Paris intellectual circles, his controversial critical th...
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Born in Brest, in Brittany, on 18 August 1922, Alain Robbe-Grillet, the most influential French writer of his generation, is the son of Gaston Robbe-Grillet, owner of a small manufacturing business (h...
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In the following essay, Wylie discusses the combination of humanist concerns and scientific observation in Robbe-Grillet's fiction. Noting the influence of Surrealism and existential philosophy...
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In the following essay, Morrissette examines the development of narrative perspective in Robbe-Grillet's fiction and films. According to Morrissette, Robbe-Grillet's “ingenious an...
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In the following essay, Szanto examines the presentation of character and narrative perspective in Robbe-Grillet's fiction. According to Szanto, “Robbe-Grillet is not telling stories as ...
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In the following essay, Szanto discusses Robbe-Grillet's philosophical perspective and concept of the “new novel” as delineated in Towards a New Novel. Szanto notes that Robbe-Gri...
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In the following essay, Stoltzfus examines the artistic, literary, and theoretical influences behind the creative process in Robbe-Grillet's fiction. “According to Robbe-Grillet,”...
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In the following review, Wood offers tempered assessment of Ghosts in the Mirror. “Fortunately,” writes Wood, “the writing itself is better than the pompous theory.”
The Ne...
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In the following review, West offers favorable evaluation of Ghosts in the Mirror.
Recently, during a panel discussion on Parisian television, a French novelist plucked out the earpiece of his headset...
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In the following essay, Chadwick and Harger-Grinling examine elements of fantasy in Robbe-Grillet's fiction. According to the critics, “Robbe-Grillet takes his reader into a fantastic wo...
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In the following essay, Milman provides analysis of Robbe-Grillet's metaphysical concerns and narrative presentation in the short story “La Plage.” Milman notes strong similaritie...
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In the following review, Sheringham offers tempered criticism of Les Derniers Jours de Corinthe. “If not for the pinch of irony which still enlivens Robbe-Grillet's writing, and his auth...
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In the following essay, Ramsay examines Robbe-Grillet's pastiche of autobiography, myth, memory, literary text, and history in Les Derniers Jours de Corinthe. According to Ramsay, “The t...
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Critical Essay by Valerie Minogue
In his first novel, Les Gommes, Robbe-Grillet deliberately exploits the potency of the Oedipus myth, while simultaneously undermining its pretensions to significance....
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Critical Essay by Robert Martin Adams
Mathias, in Robbe-Grillet's Le Voyeur, sees and/or creates figure-eights wherever he goes. Seagulls form the pattern overhead, bits of string fall into it ...
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Critical Essay by John J. Mcaleer
Robbe-Grillet is a filmmaker and [Topology of a Phantom City] addresses itself to the eye almost exclusively. There is not a line of dialogue in the book. But there i...
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Critical Essay by Bruce Morrissette
From the outset, the proliferation of game structures in the works of Alain Robbe-Grillet identifies this writer as a notable example of artifex ludens. Almost all ...
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Critical Essay by Ben Stoltzfus
Robbe-Grillet, for all his disavowals, writes novels and films that are simultaneously useful and useless. Like the Tel Quel group, he rejects Sartre's insistenc...
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Critical Essay by Alwin L. Baum
In the fictional context of the nouveau roman, the problem of critical analysis is … compounded by the mediation of the object in language and its concomitant ov...
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Critical Essay by R. Bartkowech
In his first novel in almost seven years [Topology of a Phantom City], Alain Robbe-Grillet, spokesman and practitioner of the new novel (nouveau roman), conjures up the...
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Critical Essay by Jane Miller
It is possibly (a key word here) significant that Robbe-Grillet's phantom city [in Topology of a Phantom City] should have a topology and not a topography and that...
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