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Akira Kurosawa.
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The Japanese film director Akira Kurosawa (1910-1998) was noted for his visually arresting and intellectually adventurous evocations of Japan's mythic past and agonized present. His films established ...
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"I am not a special person. I am not especially strong; I am not especially gifted. I simply do not like to show my weakness, and I hate to lose, so I am a person who tries hard. That's all there is t...
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Critical Essay by Joan Mellen
Few [directors] have succeeded in reflecting a world-view which encompasses an entire society, an achievement that writers like Fielding and Tolstoy managed so well for t...
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Critical Essay by Tom Milne
With his central metaphor of snow—the towering drifts that turn streets and houses into blind burrows where dark, scurrying figures, blanketed by the snow that never...
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Critical Essay by Alan P. Barr
Kurosawa, as obsessively as any other artist, [explores] the nature and possibility of heroic action in a world that is basically corrupt, corrupt almost as a consequenc...
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Critical Essay by Jay Leyda
The real threat [to the postwar Japanese film] was the suffocation of new or rebellious artistic tendencies … by the tight, successful patterns of the pre-war ...
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Critical Essay by Akira Iwasaki
The thing which distinguishes Akira Kurosawa from other Japanese directors—I would go so far as to call it his great achievement—is precisely that he is f...
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[In the following obituary, Lyman summarizes Kurosawa's life and career.]
Akira Kurosawa, who personified Japanese movies to most of the world and who grew into one of the handful of truly impo...
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[In the following obituary, Thomas praises the achievements of Kurosawa's career.]
At the time of his death Sunday of a stroke at his Tokyo home, Akira Kurosawa, who was 88, was widely regarded...
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[In the following interview, Kurosawa discusses Ran, his role as a filmmaker, and critics.]
His nomination this year for an Academy Award as Best Director seemed an official, if belated, recognition o...
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[In the following review, Leyda traces the development of Kurosawa's art, from his earliest films to the ones made after the successful Western debut of Rashomon.]
The surprise of the entire fi...
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[In this essay, Higham examines the central thesis of basic human dignity in Kurosawa's films.]
It is fourteen years now since Akira Kurosawa's masterpiece Rashomon burst on the world, e...
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[Father Benito Ortolani, an Italian Jesuit at the Sophia University in Tokyo, has made extensive study of Noh Theater and Japanese films. In the following essay, he examines the recurring spiritual th...
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[In the following essay, McDonald examines the symbolic representations of man's nature in Rashomon.]
Akira Kurosawa's Rashomon, the winner of both the 1951 Venice Festival Grand Prize a...
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[Dresser is a noted writer on the subject of Japanese cinema. In the following essay, he details the structural similarities and thematic differences between Sanjuro and Shane.]
If we understand Donal...
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[In the following essay, Jorgens explains the psychological differences between Macbeth and Throne of Blood with a detailed analysis of the opening sequences of the film.]
Macbeth's first line ...
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[In the following essay, Cardullo uses The Seven Samurai to illustrate the difference between Fate and Circumstance.]
I must categorize the films of the ...
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[Below, Boyd explores the development of Rashomon from two stories by Akutagawa.]
Kurosawa's Rashomon (or "The Great Rashomon Murder Mystery," as Donald Richie once dubbed it with...
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[In the following essay, Malpezzi and Clements examine the different value placed on selflessness in the East, as explored in Kurosawa's film Kagemusha.]
In Something Like an Autobiography, whi...
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[Below, Prince gives a detailed summary of the progression of themes in Kurosawa's film career. He shows how the sequences in the film Dreams revisits the subjects of earlier works and reflects...
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[Tadao Sato is one of the most noted film critics in Japan. In the following essay, he provides a plot summary of the film Dreams, and responds to the charges of some other critics that the film is an...
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[In the following essay, Howlett examines the actions of Lady Kaede from the film Ran within the framework of Japanese gender politics.]
In Ran Kurosawa explores the space of tenuous masculine constru...
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[In the following essay, Parker contends that criticisms of Kurosawa that describe his films as "Western" and his works as cold and distant are not seeing them in the right context. In a...
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[In the following essay, Kane follows the translation of animal imagery from King Lear to Ran, as it is affected by the Japanese concept of minimalism.]
One comes away from viewing Akira Kurosawa...
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[In the following review, Wilmington lauds Kurosawa's film Madadayo.]
The cinema has given us very few artists of the stature of Japan's Akira Kurosawa, director of the haunting mystery ...
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