Adam Thorpe's first book, Mornings in the Baltic (1988), a poetry collection, was published to critical acclaim and shortlisted for the 1988 Whitbread Award for Poetry. In 1990 Thorpe began writing...
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In the following review, Wormald describes Mornings in the Baltic as an “ambitious first collection,” noting that the quality of the poems remain inconsistent throughout the work.
Mor...
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In the following review, Mackinnon criticizes the “technical uncertainty” of the poems in Meeting Montaigne.
Adam Thorpe's second collection [Meeting Montaigne] has as its titl...
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In the following review, Taylor faults Thorpe's “tiresome” and implausible attempts at constructing a nontraditional narrative in Ulverton.
In outline, Ulverton must have seeme...
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In the following review, Bilston offers a generally favorable assessment of Ulverton, commenting that the novel is “by turns sad, amusing and mildly acerbic.”
In Ulverton, Adam Thorpe...
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In the following review, Clark argues that certain sections of Ulverton are more successful than others, lamenting the novel's lack of historical verisimilitude and authorial explanation.
Ad...
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In the following excerpt, Coe commends Thorpe's narrative skill and characterizations in Ulverton, but finds fault in the novel's overriding authorial presence.
In her recent collecti...
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In the following review, Eder praises the wide scope and compelling characterizations in Ulverton.
We only see the wind by eddies of dust and raindrops and by the birds beating across it. Adam Thor...
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In the following excerpt, Banville compliments Thorpe's writing in Ulverton as “rich, tough, [and inventive,” though notes that the novel's final section is considerably we...
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In the following review, Robinson lauds Thorpe's skillful evocation of historical detail in Ulverton.
Adam Thorpe writes of tussocks and furze, of sarsens atop hummocks and coppices at the b...
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In the following excerpt, Filbin discusses current trends in European fiction and praises Ulverton for its “encyclopedic knowledge” of historical details.
American fiction these days ...
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In the following review, O'Toole offers a negative assessment of Still, faulting Thorpe's prose as ineffective and “banal.”
Imagine it's ten minutes to midnight, ...
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In the following review, Shippey criticizes the lack of authorial focus and compelling characterizations in Still, calling the novel a “584-page rant.”
Still: it can mean an apparatus...
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In the following review, Fowles compliments Still for its sense of irony and original narrative voice.
I finished this brilliantly jumped second novel, the traditionally tough fence, of a writer wh...
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In the following review, Todd discusses the unconventional structure of Pieces of Light, praising the novel as “strongly plotted and a pleasure to read.”
Retrospection anchors Adam Th...
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In the following review, Crane praises the opening of Pieces of Light, but finds the rest of the novel disappointing.
For the first 136 pages Adam Thorpe's new novel [Pieces of Light] seems ...
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In the following review, Page offers a negative assessment of Pieces of Light, asserting that Thorpe's “gift of garrulousness” ultimately hurts the focus of the novel.
How easy...
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In the following review, Jordan lauds Thorpe's narrative skill in Pieces of Light, though cites shortcomings in the novel's overriding symbolism.
‘You,’ the mother of si...
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In the following review, Greening compliments the underlying theme of “survival” found in the poems in From the Neanderthal.
From the Neanderthal marks the return to verse of Adam Tho...
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In the following review, Clark praises Thorpe's subject matter and prose in Shifts, though criticizes his self-conscious preoccupation with technique and detail.
The theme that links the twe...
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In the following review, Fern praises the compelling characterizations in Shifts.
When today's graduates enter the so-called ‘real world’, the first difference they notice is t...
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In the following review, Thorpe discusses the narrative complexity of Pieces of Light.
Pieces of Light is an intriguing, finely spun mystery, most aptly entitled. Readers are led on a long journey ...
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In the following review, Beaumont offers a generally positive assessment of Nineteen Twenty-One, though notes that the novel's theme of futility is, to some degree, embodied in the work itself....
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In the following review, Taylor commends Thorpe's portrayal of his protagonist in Nineteen Twenty-One, but notes that the novel occasionally loses focus.
Without wanting to turn hugely reduc...
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In the following review, Catling offers a positive assessment of No Telling, praising Thorpe for being “able to portray coherently and at length primal emotional experiences, which are recognis...
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